Byron Allen Buys 11 TV Stations Worth $300 Million, Seeks To Acquire More

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Tiffany Haddish assists Byron Allen in raising money to benefit Children’s Hospital at Beverly Hills Oscar Bash.

Just days after hosting his company’s annual Oscar Gala to benefit Children’s Hospital to the tune of $1.5 million, Byron Allen, founder, and CEO of Entertainment Studios Networks has officially completed the purchase of 11 broadcast television stations from USA Television Holdings LLC and USA Television MidAmerica Holdings LLC (collectively, USA TV).

Allen Media Broadcasting, a division of Entertainment Studios, closed the $305 million deal on Tuesday February 11. The move signifies a commitment by Allen to expand his company’s broadcast holdings (which include The Weather Channel, theGrio and JusticeCentral.TV), reported Deadline.

In July 2019, the black media mogul acquired four local TV stations from minority owned Bayou City Broadcasting for $165 million. With this latest transaction, Allen Media has positioned itself to be the nation’s top African American owners of local TV stations.

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CEO Byron Allen and Judge Kevin Ross at Entertainment Studios’ 2020 Oscar Gala.

“Over the past six months we’ve invested nearly $500 million to acquire best-in-class, top-tier, broadcast network affiliates,” Allen said. “We plan to invest approximately $10 billion to acquire ABC, CBS, NBC and Fox television stations over the next three years with the goal of being one of the largest broadcast television groups in America.”

For additional details on the story and the station’s purchased, click here.

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America’s Court Gets Another Season For Fall 2020

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With five shows currently airing, Entertainment Studios dominates the daytime television court genre.

Entertainment Studios (ES), one of the largest independent producers and distributors of film and television, and owner of 15 U.S. broadcast television stations and nine 24-hour HD cable networks — announced this week at the annual National Association of Television Programming Executives (NATPE) gathering in Miami that 130 new half-hour episodes of AMERICA’S COURT WITH JUDGE ROSS will be made, effective immediately, for the Fall 2020-2021 season.

The other Emmy® Award-winning and Emmy® Award-nominated series and judges ES renewed include:

  • JUSTICE FOR ALL WITH JUDGE CRISTINA PEREZ
  • SUPREME JUSTICE WITH JUDGE KAREN
  • JUSTICE WITH JUDGE MABLEAN 
  • THE VERDICT WITH JUDGE HATCHETT 

America’s Court, the company’s first series, is about to commence its 11th season. With Judge Kevin Ross presiding, the popular program is currently the fifth longest running court show behind Judge Judy, Judge Mathis, People’s Court and Divorce Court. Presently, there are sixteen legal genre shows airing.

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Judge Kevin Ross and Deputy Bruce Thomas appearing in the 2009 America’s Court pilot episode.

“Ten years after we launched America’s Court with Judge Ross in Fall 2010, our viewers continue to enjoy some of the best court shows available,” said Byron Allen, Founder, Chairman, and CEO of Entertainment Studios.  “Whether in broadcast syndication or on our 24-hour HD network JusticeCentral.TV, the investment to produce these 650 additional new episodes shows our commitment to being the largest producer of high-quality television court programming – and our unwavering confidence in this strong and engaging genre.”

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Happy Holidays and New Year!

EFDFAF41-314D-41DB-B590-BE6218458115On behalf of America’s Court with Judge Ross (our 10th Season!), my family and I, wishing you a joyful holiday and a prosperous 2020!

Peace,

Boss Ross

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Gardena High 2019 Regional Bowl Champs After Win Over Parker

8FA07913-D532-49F9-865F-458AA50E93BACongratulations to the football players and coaches of Gardena High School! My alma mater is ON A ROLL!!!

Those Mighty Mohicans… um, Panthers, are the reigning CIF SoCal Regional 7-AA Bowl Champions after defeating the Lancers of San Diego’s Francis Parker High School last night 27-13.

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It was the first L.A. CIty football title for Gardena since 2000 when Marshall Jones led the way to the Division II championship.

“They always say it is unreal when you do something like this,” Coach Jim McElroy said. “This is pretty unreal. … We didn’t expect to get here this fast and do it the way that we did it. Just straight community kids, kids who belong at Gardena, that take pride in being Gardena Panthers and holding up the tradition of the Mohicans that used to be there when they had all of those good Gardena teams back in the days.

“We would love to be at the level of the Narbonnes, (Long Beach) Poly, St. John Bosco, that would be great, but we’re trying to build this the right way. No recruiting, just community kids, Gardena kids.” (Read More)

When McElroy and his staff arrived for the 2018 season, they inherited a team riding a 21-game losing streak.

Now, Gardena advances to the CIF Division 7-AA State Championship Bowl on December 14, where they will battle the Mustangs of San Francisco’s Lincoln High School. ONWARD!

#DenaPride #CitySectionPride #HighSchoolFootball

 

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The Next Generation

Talk about a #FlashbackFriday! Here’s a LA Times article published on February 11, 1997 featuring John Hope Bryant and I discussing our then newly formed organization The New Leaders. Can’t believe that was 25 years ago!

Jean Merl                            
Times Staff Writer      
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The agenda for last month’s meeting of the New Leaders was packed, and by day’s end the fledgling–and no-nonsense–group had accomplished a lot.

Members honed their mission statement, settled on plans for the future, started a calendar of the year’s key events, identified ways to ensure the organization’s long-term viability and tightened rules for membership (laggards need not apply).

That session, held at the Junior Achievement House on Larchmont Boulevard in Los Angeles, said much about the New Leaders, an organization of about 120 dues-paying, young, primarily African American professionals with an aim to match the name.

“We wanted a way for the next generation of movers and shakers to come together, to share ideas and strategies and to help empower our community,” said Kevin Ross, a deputy Los Angeles County district attorney who founded the group with financier John Bryant.

Officially launched in mid-1995, the organization’s roots actually stretch back a generation to the mid-1980s group Young Black Professionals, which emerged during then-Mayor Tom Bradley’s quest to become California’s first African American governor.

With its counterparts around the nation, that effort marked the development of a new, post-civil rights movement generation of well-educated and successful blacks who wanted a voice in politics.

The Los Angeles organization eventually faded away, but Bryant, who has a framed letter from Bradley written during the group’s inception, said Young Black Professionals was the inspiration for the new group, known among its members as TNL.

“We created TNL in the image of Young Black Professionals. It’s definitely an outgrowth of that,” Bryant said.

While its predecessor was informally organized, the New Leaders is meticulously structured and its agenda is ambitious.

In the year and half since the New Leaders drew more than 100 participants to its initial meeting at Georgia restaurant on Melrose Avenue, it has held a business development seminar, begun a youth empowerment committee that is making plans for a mentoring program at Horace Mann Middle School, and held voter registration and holiday book and toy drives.

Its first field trip for members was a tour of the Museum of Tolerance, the internationally memorial to the Holocaust victims, followed by a discussion of current black-Jewish relations. The group’s one-year anniversary celebration in July featured attorney Johnnie L. Cochran Jr. as keynote speaker.

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The New Leaders also initiated a “leadership round table series” with speakers that included Bradley, Los Angeles Police Chief Willie L. Williams, City Atty. James K. Hahn, banker Richard Proudfit and Wendy Kopp, founder of Teach for America, which encourages young college graduates from all fields to work in public school classrooms.

The group holds monthly membership meetings on Saturdays at Georgia, whose principal owner is group officer Brad Johnson. Sessions, guided by a detailed agenda, typically run from 10 to 11:30 a.m., then give way to committee meetings until 1 p.m.

Incorporated as a nonprofit–and nonpartisan–organization, the New Leaders makes its headquarters at the downtown Los Angeles offices of Operation Hope, the banking consortium Bryant founded in the wake of the 1992 riots to provide business loans in devastated neighborhoods.

Part networking, part self-education, part community service, the New Leaders says in its lengthy and ambitious mission statement that it aims to “provide a forum for personal, economic and community development for the existing and future leadership within the African American community.”

Some members have a political bent, including Inglewood Councilman Garland Hardeman; Compton City Treasurer Douglas Sanders; loan executive Daryl W. Sweeney, who is running for the Carson City Council; and Reginald Jones-Sawyer, an aide to Los Angeles Mayor Richard Riordan. Co-founder Ross made his first bid for public office in 1995, seeking the 10th District seat on the Los Angeles City Council, and forced a runoff between the two better-known and better-financed candidates, Councilman Nate Holden and attorney Stan Sanders.

But most members of the group are striving primarily in other fields: business and finance, law, medicine and, frequently, news and entertainment. The group counts among its members Rose Catherine Pinkney, a vice president for Paramount Network Television; Black Entertainment Network reporter Paula Bond; and television news anchors/reporters Dave Clark and Pat Harvey of KCAL Channel 9.

Bryant and Ross, who have become close friends since meeting at a post-riots gathering at the Westside home of a black celebrity, remain the driving forces behind the group.

Bryant, who turned 31 last week, is outgoing, frenetically energetic and blunt-spoken. He got his start in business selling candy to schoolmates in Compton. He dropped out of community college after a year (“It was boring”), did some acting, waited tables and eventually got into finance.

He was making a luxurious living when the riots broke out in April 1992 within hours of a jury’s refusal to convict the LAPD officers in the videotaped beating of black motorist Rodney G. King.

“The verdicts stunned me . . . they made me look up from my success and ask myself, ‘What is my purpose here?’ ” said Bryant, who said he spent three days at First African Methodist Episcopal Church, where he is a board member, trying to sort things out.

He got help from the Rev. Cecil B. “Chip” Murray, pastor of the politically prominent church. “He told me, ‘John, you’re a businessman, a banker, you can help there,’ ” Bryant said.

The result was Operation Hope, one of the earliest and strongest success stories in the efforts to rebuild the devastated communities and to address the underlying tensions that had led to the rioting. Beginning with a Bryant-organized “bankers bus tour” of South-Central Los Angeles to spur investment there, the organization has expanded to offer business and home loans, a credit card system and a comprehensive banking center.

Ross, 33, works on the Los Angeles district attorney’s Operation Hard Core project, which seeks injunctions to keep gangs from terrorizing neighborhoods. He volunteers in another office program–Project LEAD–in which he works with students at two Lennox elementary schools, talking about the criminal justice system and steering them toward successful, law-abiding lives.

On weekends, he hosts a KMPC radio talk show. “I’m really enjoying that. . . . It gives me the opportunity to hear from people on a whole variety of topics,” from political debates in the upcoming municipal elections to how to assess readiness for fatherhood.

Born in South-Central Los Angeles and raised in the tumultuous 1960s by his single mother, Ross was elected student body president at Gardena High School and at Morehouse College in Atlanta. He earned his law degree at Southwestern University and was new to the district attorney’s office when the verdicts in the King case were announced.

Ross met Bryant soon afterward and was impressed with his no-nonsense, get-it-done style.

“We were all sitting around pontificating about lofty goals and our role as young professionals to help the community when John brought us back to earth,” Ross said. “ ‘Look,’ he said. ‘These folks don’t have toilet paper and blankets.’ ”

“He was probably the only person in the room who liked me after that,” Bryant said of the friendship sparked that night.

Kerman Maddox, who launched Young Black Professionals in 1985 with a fund-raiser for Bradley, said the new group holds a lot of promise.

“This group is pretty organized, pretty sophisticated,” said Maddox, a former campaign consultant who ran for office several years ago and who now teaches political science for the Los Angeles Community College District and is a co-host of KCET television’s “Life and Times” public affairs program.

“Definitely there are people in this group who are looking to get into the game . . . who will be among the next generation of leaders,” Maddox said.

 

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Sarah Palin Wants Her Court TV

Sarah Palin Court Show

News that Republican lightning rod Sarah Palin is interested in presiding over a Fall 2017 daytime court show has taken many by surprise. A closer look, however, may explain why this controversial move actually makes sense for the former Alaska governor.

Financial considerations notwithstanding, court is the only genre in strip syndication—whether that’s talk, game, magazines or off-net sitcoms—to show across-the-board growth. Ten out of the eleven shows are experiencing either year-to-year increases or steady ratings across all demographics. According to Nielsen Media Research, CBS’ Judge Judy — syndication’s leading first-run strip — is averaging a 7.3 season-to-date household rating and 10.3 million viewers. CBS’ “Hot Bench” has increased 46% in overall viewership to 3.3 million; Entertainment Studios’ “ES Court Combo” added 23% to 2.7 million; Warner Bros. “People’s Court” improved 6% to 2.5 million; and WB’s “Judge Mathis” is up 7% to 2.1 million.

“In most cases, the court shows have been consistently in the same time periods for years and they’ve sort of replaced soap operas, which were the dominant genre in daytime,” says Bill Carroll, senior VP, content strategy, Katz Television Group.

Justice Central

In fact, Entertainment Studios’ Justice Central block —which includes America’s Court With Judge Ross, Justice for All With Judge Cristina Perez, Justice With Judge Mablean and Supreme Justice With Judge Karen—is up in households (with a cumulative 2.0), remains steady among women 25-54, and has a consistent top twenty-five ranking.

Although Palin has never been a judge, a practicing lawyer, or even attended law school, none of these factors appear to be slowing her down. The former Fox News commentator is reportedly taking meetings at the National Association of Broadcasters Show in Las Vegas next week in search of a deal. And who knows, she just might strike gold.  As one potential buyer put it: “If I buy it and it works, I’m a genius, and if it fails, I’m an idiot. But that’s the case with any new show.”

Source

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Why Oscar’s STILL Not Ready For Its Closeup

I get it Academy, you’re just not into us!

America's Court with Judge Ross PictureTwenty years ago, I was still in the honeymoon stage of my marriage. After one year had passed, I wasn’t quite done licking my wounds over a lost 2015 LA City Council bid, our credit was slowly creeping towards A1, homeownership was a dream, and the notion of having kids was still being “discussed”.

There was no doubt, however, that both of us wanted to be in a relationship. Would it be tough and challenging? Of course. Would it require compromise for the greater good? Absolutely! But the goal was that we’d be able to look back one day and see where we made progress, where we fell short, and whether the commitment to forge ahead in a meaningful, substantive way still burned in our hearts.

If only the same could be said about the Oscars.

Despite promises to diversify the industry by Academy president Cheryl Boone Isaacs – herself an African American woman, and assurances that opportunities to perform, produce and direct are forthcoming, not much has changed since I first put pen to paper in a published 1996 opinion piece, with a follow-up article in 2007 (see both below) pleading the case for inclusion in the business of show.

So here we are, with the hashtag #OscarsSoWhite now conveying in thirteen characters what countless studies, all voluminous and verbose in nature, have failed to persuasively articulate.

Oscars

Photograph by Gary Hershon/Reuters

As Hollywood continues to ossify, the numbers of those in the doldrums continue to swell. Oscar winner Quincy Jones says he’s boycotting the broadcast unless he can speak his mind at the gala. Oscar winner Whoopi Goldberg asserts that you don’t have to support the films, but by all means consume the award ceremony’s pomp and pageantry. Jada Pinkett-Smith and Spike Lee have decided not to rsvp this time around, and probably wouldn’t mind if Chris Rock – this year’s host – gave up the coveted gig in a display of solidarity. Of course Janet Hubert is interested in dissecting the legitimate nuances of what’s at stake, but not before the Fresh Prince (i.e. Will Smith) makes amends for the way he allegedly disposed of and later recast her beloved character, Aunt Viv.

And Fox News/Clueless star Stacy Dash just wants to level the playing field by getting rid of Black Entertainment Television (BET), banishing Black History Month into, well, history, voting-in GOP presidential hopeful Donald Trump, and then restarting an acting career which has consisted primarily of television and film projects likely to be most appreciated by the same audience that (ironically) BET caters to.

I don’t have the answer. Throughout the 90s, I was on the outside looking in. Today, I’m a part of it. And what’s within my purview isn’t pretty. Not only does the Academy of Motion Picture Arts and Sciences have a nominee and membership problem, but out of 51 elected Board of Governors, only two are non-white.

In the words of the great poet Maya Angelou, “When someone tells you who they are, believe them.”

Hollywood, aka the bastion of liberalism, has been unequivocal when it comes to whether it wants to truly embrace people of color in motion pictures. As things currently stand, this marriage is beyond dysfunctional and we’re obviously at a tipping point. If something doesn’t change soon, various minority groups could lawyer-up, seek class action status, and allege race-based labor malfeasances in high-stakes court proceedings.

It certainly is within the realm of possibility. And I suspect, it will not be an amicable.

Kevin Ross is host of America’s Court with Judge Ross, an Emmy-nominated producer, and a member of the Academy of Television Arts & Sciences.

Racism Lingers In Hollywood

Krossphoto_1In 1996, I lamented the dearth of minorities, particularly African-Americans, in the entertainment industry.

This was obviously pre-Forest Whittaker’s winning portrayal of Edi Amin in “The Last King of Scotland”. It was a decade before Halle Berry’s historic nod, or Jennifer Hudson’s mush deserved Oscar for her supreme, show-stopping performance in “Dreamgirls”.

It was two lifetimes before rap artists 3-6-Mafia made pimpin’ a little easier.

Of the 166 Academy Award nominees that year, only one was African American. Sure, Whoopi Goldberg presided over the festivities, with Qunicy Jones serving as co-producer. The disturbing message sent in 1996, however, was as clear as the images of separate water fountains, fire hoses, police attack dogs, or treating segments of society as if they were invisible. The message was: whites only.

What a difference a decade can make!

This year’s 79th Annual Awards Show was the most globally diverse in the history of the Academy. The organization currently comprises over 6,000 motion picture professionals. Although the vast majority of its members reside in America, the 2004 roster included theatrical filmmakers from 36 countries.

Sunday’s international broadcast showcased 20 outstanding nominees in the acting categories. Of them, five were of African descent. Overall, blacks fared well, receiving a total of eight nominations and three wins. Latino filmmakers brought their A-game as well, garnering 16 nominations and four wins, three for Guillermo Del Toro’s “Pan’s Labyrinth” and one for Gustavo Santaolalla in the best music score category for “Babel”. With an acting nomination for a descendant of Japan and a best short documentary win for Chinese director Ruby Yang, Asians did not go home empty-handed either.Oscar Article 2007

But my favorite part of the ceremony – aside from director Michael Mann’s film montage showcasing diversity in cinema and Whitaker’s touching acceptance speech – came in the opening monologue. That’s when quirky host Ellen DeGeneres stated, “If there were no blacks, Jews, or gays, there would be no Oscars.”

Of course she was being sarcastic – the part about blacks, that is.

Each year studies are done, statistics are collected, commitments are made and, ultimately, promises are broken. A decade ago, fewer than 150 – or 3.9 percent – of the then 5,043 Academy members who nominate and choose Oscar winners were black. Only 2.3 percent of the Directors Guild membership was black. A mere 2.6 percent of the Writers Guild was African-American. Blacks accounted for less than 2 percent of the 4000-member union of set decorators and property masters. For other minorities, the numbers were equally disgraceful.

In 2007, those stats really haven’t budged much despite the fact that in the U.S alone, African-Americans make up 25 – 30 percent of the movie going audience. You would think liberal Hollywood would have recognized by now that mining for greater minority participation in front of and behind the camera could dramatically increase its bottom line. A highly sought-after export, entertainment is a commodity yielding solid returns.

Films with a global reach seem like a no-brainer. The bottom line, however, is that many in the industry – consciously or otherwise – continue to arrogantly shun the gifts minorities have to offer. In a self-regulated industry, the result is less potential revenue, fewer jobs, fan stagnation, and more international trepidation about the United States and all that we allegedly stand for.

So while we revel in the splendor of Oscar, we know why everyone is still not invited to the Governor’s Ball or Vanity Fair’s soiree. And the reason has to do with basic tenets of equality.

Actor Edward James Olmos’ assertion that, “All of the Oscar-nominated pictures put together give lots of hope to diversity in general, and world cinema in particular,” means nothing unless moviemakers come out of preproduction and get the cameras rolling in Africa, Latin America, China and “other parts” of America.

If it’s true that Hollywood is a place where money doesn’t talk but screams, add my voice to the choir on set shouting at the top of its lungs, “ACTION!”

For me, it always speaks louder than words.

Former Los Angeles Superior Court Judge Kevin Ross is a past president of the Organization of Black Screenwriters.

SOURCE – H/T to John Hope Bryant

Why Oscar’s Not Ready for Its Closeup: A few figureheads don’t make up for the dearth of minorities in entertainment.

KR 1995The entertainment industry is one of America’s and California’s top exports. The Hollywood sign draws millions of tourism dollars to our local economy, not to mention the thousands who come here in search of fortune and fame.

Yet only one of the 166 nominees at Monday’s Academy Awards is African American. Fewer than 200–or 3.9%–of the 5,043 academy members who nominate and choose Oscar winners are black. Only 2.3% of the Directors Guild membership is black. A mere 2.6% of the Writers Guild is African American. Blacks account for less than 2% of the 4,000-member union of set decorators and property masters. For other minorities, the numbers are equally disgraceful.

Those who collectively make up the entertainment industry are engaging in economic apartheid. Each year, studies are done, statistics are collected, commitments are made to diversify and ultimately, promises are broken. Latinos are fighting to get material “green-lighted.” Asians, Native Americans and others have similar gripes. But what’s particularly interesting about the African American experience is that film and to a lesser extent television have become our last bastions of injustice.

The playing field is most level in sports. While team or franchise ownership still eludes African Americans, talent is rewarded and compensated. Who would dare say to Deion Sanders that he doesn’t run or hit “black enough?” How could you justify adding a white player to an Olympic basketball team simply because the representation is “too black?” Whether it’s Mike Tyson or Michael Jordan, athletes are afforded the opportunity to get paid based on objective standards of performance. The result: increased revenues, more jobs, fan participation and an international fascination with American culture.

African Americans also are some the biggest names in the music industry: Michael and Janet Jackson, Whitney Houston, Seal, TLC, Boyz II Men. Any commercial soundtrack worth its vinyl inevitably will showcase classic Motown tunes, love songs by Babyface or hiphop and rap. The result: increased revenue, more jobs, fan admiration and an international preoccupation with American culture.

84th Academy Awards, Nominees Luncheon

Academy of Motion Picture Arts and Sciences Oscar Nominees

In the business of show and tell, however, the game being played is still hide and seek. It’s no wonder that publications like Newsweek, Jet, Vanity Fair and People are starting to draw attention to the movie industry’s dirty little secret. Perhaps with all the talk about dismantling affirmative action, people are beginning to realize the lack of action in this multibillion-dollar industry. The subjective standards of talent, product and commercialism have in fact become smokescreens for power brokers who have no intention of creating true diversity in a self-regulated industry. The result: less revenue, fewer jobs, fan stagnation and international trepidation about American culture.

Instead of feeling smug about Whoopi Goldberg and Quincy Jones having big roles in the Academy Awards program, the issue of discrimination based on race should make everyone feel uncomfortable. And while Jesse Jackson’s involvement and method of drawing attention to this embarrassment can be debated, the message is as clear as the image of separate water fountains, fire hoses, police attack dogs or treating a segment of society as if it is invisible. The message is: whites only.

This isn’t about a guilt trip. With emerging superstars and savvy professionals, African Americans are beginning to knock down these barriers, establish a niche and create their own events such as the NAACP Image Awards. With Latinos recently hosting their own successful awards show as well, we are seeing groups thrive not because of the industry, but in spite of it.

But the questions remain. Can Hollywood, on its own, learn some basic tenets of equity without government regulation? Can deal makers ever be taught to appreciate the gifts being offered by minorities? Can we work collectively and find strength in our differences?

It’s time every facet of the industry answers these questions. Real opportunities for everyone, regardless of race, must be the vision for the future. While we revel in the splendor of Oscar, we know that everyone is not invited to the party. Fairness demands that Hollywood come out of preproduction and start this camera rolling.

Kevin Ross is a Los Angeles deputy district attorney and former president of the Organization of Black Screenwriters.

SOURCE – H/T to the Los Angeles Times

 

 

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In Memory of Judge Ellen DeShazer

Judge Ellen Deshazer - Compton Drug Court

Judge DeShazer congratulates a new drug court graduate. (Photo by Robert Gauthier)

I was a third year law clerk just months shy of getting my braces off the first time I ever appeared before a judge to handle a case. It must have been obvious to Judge Ellen DeShazer that I was overwhelmed by the whole thing because of what she said to me. “Mr. Ross, practicing law is like love. You just have to jump in!”

My initial thought was is this woman who bears a slight resemblance to my mother hitting on me, or is she just trying to put me at ease? I would soon find out it was the latter as we not only ended up being colleagues at the Compton Courthouse, but also neighbors who resided a few houses down from each other.

Judge DeShazer lived quite an adventurous life. From being a “ring girl” who carried the round sign at the heavyweight bout between Muhammad Ali and Jimmy Ellis, to her  seventeen years tirelessly presiding over the Compton Drug Court Program, she was a stylish civic woman who made a incalculable difference in the lives of many.

A staunch believer in recovery over incarceration, Judge DeShazer lost her fight with a prolonged illness on November 22, 2015 at the age of 76. She will be greatly missed by those who knew and worked with her, as well as all the men and women who appeared before her seeking to break free from the grips of drug addiction and substance abuse.

Job well done Your Honor. Rest in Peace.

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Friday Nights, Football and Fatherhood

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The “Other” Gridiron Dads

Our boys met on the football field.

Senior year the gridiron hadn’t moved, but our young men had moved on.

One’s a track star. The others are killing it in volleyball.

Yet here we stand.

Watching a playoff game from just behind the gate. Each reminiscing about our sons and dreaming about what might have been.

As dad’s often do.

Under those bright Friday night lights.

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Another Reason to Love Country Music!

Stephen Curry’s Warriors beat the Clippers 112-108. Golden State remains undefeated this season and look like they could grab another NBA Championship title..

Last night I ended up watching A LOT of television. Although I was underwhelmed by Empire, that Golden State Warriors vs. LA Clippers NBA game was not one to miss (I’m a Lakers fan for life so when the Clippers lose, I’m good).

But the CMA performance by Justin Timberlake and Chris Stapleton of Tennessee Whiskey and Drink Me Away stole the show. It completely blew me away.

I keep telling my two sons not to sleep on this. If someone like Drake’s not on the song, however, they’re just not interested. Oh well, their loss. Anybody else out there a country music fan? Seems the older I get, the more I like it!

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